This volume explores the formative theophanic patterns found in such pseudepigraphical writings as 2 Enoch, Apocalypse of Abraham, and the Ladder of Jacob where the visual tradition of the divine Form and the aural tradition of the divine Name undergo their creative conflation and thus provide the rich conceptual soil for the subsequent elaborations prominent in later patristic and rabbinic developments. The visionary and aural traditions found in the Slavonic pseudepigrapha are especially important for understanding the evolution of the theophanic trends inside the eastern Christian environment where these Jewish apocalyptic materials were copied and transmitted for centuries by generations of monks.