Les Calligraphes et les Miniaturistes de l’Orient Musulman is a highly regarded exploration of the Islamic art of calligraphy. Compiled by the noted Orientalist Clément Huart, the main body of the work is dedicated to the exploration of various schools of the art form throughout history.

In the early years of archaeological excitement in the environment of the biblical world, Merrill traveled through what is today Jordan on an extended journey and wrote this engaging account of his travels and explorations. Copiously illustrated with line drawings and etchings of the monuments and notable sights he encountered, his descriptions still retain their compelling voice. An historical account of travels around an area that would soon blossom into an archaeological haven, this journal is worth exploration for its contribution to a new discipline.

Part travelogue, part missionary account, this book recounts the experiences of a nineteenth-century traveler in the Ottoman Empire. Indeed, Hamlin’s account begins with a description of the origin and extent of the Ottoman Empire, including a consideration of the social issues it faced. An encounter with Islam, with a sympathetic reading of the Quran, leads Hamlin to conclude with the misrepresentation of the Ottomans that he has discovered to be problematic. An intimate glimpse into the Ottoman world of the nineteenth century, this historic travelogue will be welcomed by students of missionary activity and the rapidly changing region of Turkey.

E. J. Hardy traveled widely and emerged as a skilled writer. This account of the Holy Land, written by a clergyman, is an effort to provide a touchstone for modern readers who are interested in the biblical story. Beginning almost as a gazetteer, Hardy describes the agriculture and fauna of the Palestine of his day. A distinctive travelogue, this account of the Holy Land will appeal to a wide range of readers.

Considered one of the greatest works of the Sufi writers, Saadi’s Bostan (The Orchard) is an astounding poetic collection of wisdom that includes anecdotes, proverbs, and quotations that engage the rules of life and psychological observations of individual behavior. Saadi (or Abu Muslih bin Abdallah Shirazi, 1184 – 1283/1291?) was a Persian poet and traveler. Here Bostan is presented in German translation, the work of one of Germany’s great poets, Friedrich Rückert, who also had the distinction of being a professor of oriental languages. The lover of medieval poetry will find this supreme accomplishment of Persian poetry irresistible.

Taking his interest in the Islamic conquest to its northwestern frontier, Lane-Pool here considers the history of the Moors in Spain. The famous battles and their various outcomes are recorded. A gripping account for students of history, this treatment of the Islamic presence in Europe is a solid piece of research that has stood the test of time.

A rare exploration of the language of the Romani people (popularly called “gypsies”), this study has been the standard reference for those who wish to explore the still poorly understood languages of the Bohemians of the Ottoman Empire. Part language study, part translation exercise, Paspates’ treatment is one of the few available on this topic. Starting out with an introduction and brief grammar, the major portion of the book is a lexicon of Romani. A brief concluding chapter contains stories both in the original language and in French translation. A must-have title for students of Romani, this book is a useful addition to the Gorgias Historical Grammar series.

This book is a response to the popular counter-reading of Ecclesiastes in the 1980s and 90s as a book of “joy” (rather than a pessimistic book). It examines the seven “joy statements” of Qoheleth in the light of analogies with scepticism and the literary form of irony. Irony, like scepticism, has the function to induce doubt and questions. The joy statements of Qoheleth are likely analogous to expressions of complex irony—whereby what is said is both meant and not meant. This examination highlights the complexity of the biblical book—while demonstrating how unlikely the “joy reading” may be.

This volume explores the formative theophanic patterns found in pseudepigraphical writings as 2 Enoch, Apocalypse of Abraham, and the Ladder of Jacob where the visual tradition of the divine Form and the aural tradition of the divine Name undergo their creative conflation and thus provide the rich conceptual soil for the subsequent elaborations prominent in later patristic and rabbinic traditions. The visionary and aural traditions found in the Slavonic pseudepigrapha are especially important for understanding the evolution of the theophanic trends inside the eastern Christian environment where these Jewish apocalyptic materials were copied and transmitted by generations of monks.

Diagnosed with tuberculosis, Lady Lucie Duff Gordon left her family in London in 1862 to take up permanent residence in Upper Egypt or the Saeed. There she wrote Letters from Egypt (1865), which offers an intimate portrayal of the social life of the Saeed, connecting happenings there with international politics and issues around race, class, nation, and gender.