This book explores the myth of the Cyclops across western history, and how its changing form from ancient Greece until the modern day reveals fundamental changes in each era’s elite understandings and depictions of cultural values. From Homer’s Odyssey to Hellenistic poetry, from Roman epic to early medieval manuscript glosses, and from early modern opera to current pop culture, the myth of the Cyclops persists in changing forms. This myth’s distinct forms in each historical era reflect and distill wider changes occurring in the spheres of politics, philosophy, aesthetics, and social values, and as a story that persists continually across three millennia it provides a unique lens for cross-historical comparison across western thought.

Jacob of Sarug's homily on Aaron the Priest, focusing on the period leading up to and including the death of Aaron described in Numbers 20:22–29.

Recognized as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug’s homilies, this volume contains his homily on Edessa and Jerusalem. The Syriac text is fully vocalized, and the translation is annotated with a commentary and biblical references. The volume is one of the fascicles of Gorgias Press’s Complete Homilies of Saint Jacob of Sarug, which, when complete, will contain all of Jacob’s surviving sermons.

Perils of Wisdom engages the biblical Solomon narrative that appears in the Book of Kings and its reception by Jewish texts from scriptural sources through the traditional commentaries of the Middle Ages. By systematically following the thread of exegesis through biblical, rabbinic, targumic, and medieval Jewish texts, and by examining their interplay with other ancient, Christian, and Islamic treatments of Solomon, Keiter traces the emergence and ascendance of an apologetic image of Solomon that has colored Jewish perceptions of the biblical king ever since.