In and Around Maimonides

The investigation of this book into early Jewish experiences of God begins with calls to discard any categorical and definitional approaches to the literature of early Judaism, and several enduring preconceptions about its mysticism and theology (particularly the relegation of its mysticism to particular texts and themes, and the molding of its theology in the image of medieval and post-medieval Jewish and Christian monotheisms). With this abandonment, the symbolic language of early Jewish texts gives sharper contours to a pre-formal theology, a theology in which God and divinity are more subjects of experience and recognition than of propositions. This clarity leads the investigation to the conclusion that early Judaism is thoroughly mystical and experiences a theology which is neither polytheistic, nor monotheistic, but deificational: there is only one divine selfhood, the divinity of “God,” but he shares his selfhood with “gods,” to varying degrees and always at his discretion. With some important differentiations which are also introduced here, this theology undergirds almost the entirety of early Judaism—the Bible, post-biblical texts, and even classical rabbinic literature. The greatest development over time is only that the boundaries between God and gods become at once clearer and less rigid.

Recognized as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug’s homilies, this volume contains his homily on Edessa and Jerusalem. The Syriac text is fully vocalized, and the translation is annotated with a commentary and biblical references. The volume is one of the fascicles of Gorgias Press’s Complete Homilies of Saint Jacob of Sarug, which, when complete, will contain all of Jacob’s surviving sermons.

The biblical apocalyptic books of Daniel and Revelation are, for better or worse, polarizing. Interpreters have long read and searched these books for clues about how their worlds will “end,” which each new interpreter promising to have “unlocked” how Daniel and Revelation work together to uncover a divine plan for prophetic fulfillment. Redding uses the Vision of the Fourth Beast from Daniel 7 as a case study to consider how interpretations of texts take on lives of their own, eventually wedding interpretation with text and prompting the question: what even is a text? Is it what is on the page, something interpreters put there, or a combination of both? Starting with the literature of the Levant, this work traces the use of motifs, images, and themes through Daniel, Revelation, and into pre-Enlightenment Christian thinkers to consider hermeneutical trajectories that shaped (and continue to shape) how modern readers engage biblical apocalyptic literature.

The first ever critical edition and complete translation of the Syriac Life of Saint Simeon of the Olives, who was an abbot of Qartmin Monastery in Tur Abdin and a bishop of the city of Harran in the late seventh and early eighth century AD.