The chapters in Emerging Horizons: 21st Century Approaches to the Study of Midrash pertain to an intriguing midrash that appears in a Masoretic context, the Qur’anic narrative of the red cow, midrashic narratives that rabbinize enemies of Israel, the death of Moses, emotions in rabbinic literature, and yelammedenu units in midrashic works.

Fragmentary material comprises a significant part of the manuscript tradition of the New Testament. Whether it be tattered papyrus documents, the abbreviated citation of biblical texts in early Christian writings, or the scattering of once-whole manuscripts, the story of the New Testament is a gathering of fragments—in all their forms—in the hopes that “nothing may be lost.” This volume is a result of the Twelfth Birmingham Colloquium on the Textual Criticism of the New Testament, wherein presenters were invited to approach the theme of “fragments” from any philological or philosophical framework. Chapters discuss the possible forgery of a biblical papyrus, the dismemberment of a sixteenth-century lectionary manuscript, and the Arabic text of Romans preserved in a fragmentary bilingual codex. Elsewhere, software tools are employed to re-assess the readings of manuscripts digitised in decades past and to re-evaluate the stemma of a family of manuscripts. Further contributions consider the fragments of the biblical text contained in patristic commentaries and Byzantine catenae. The wide-ranging scope of the research contained in this volume reflects the need to examine these pieces of the past so that the shape of research in the present accurately illustrates the tapestry that is the history of the New Testament texts.

In this engaging first memoir, George A. Kiraz tells the story of a young Palestinian boy growing up in Bethlehem, fascinated with understanding his Syriac roots even as he drew steadily nearer to the day when he would inevitably be transplanted to the United States.

This bundle brings together the 16 volumes of Elie Wardini's The Quran: Key Word Collocations. The aim of these volumes is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The Passover Haggadah, the quintessential Jewish book, began taking shape in the period of the Mishnah and the Talmud (ca. 100-600 CE). Even by 600, it did not look like it does today. Major portions were wanting, e.g., the story of eminent sages at a seder in Bene Beraq; the typology of the four sons; the midrashic expansion of the story of the exodus; the song Dayyenu. Those compositions (mostly) or borrowings were incorporated into the Haggadah between ca. 600-900 (the Geonic period). Such selections completed the Haggadah, producing the book used at Passover Seders to the present day. This study shows how the section of the Passover Haggdah known as maggid (“recounting”) achieved its comprehensive structure and contents between ca. 600 and 900 CE (the geonic period).

Perils of Wisdom engages the biblical Solomon narrative that appears in the Book of Kings and its reception by Jewish texts from scriptural sources through the traditional commentaries of the Middle Ages. By systematically following the thread of exegesis through biblical, rabbinic, targumic, and medieval Jewish texts, and by examining their interplay with other ancient, Christian, and Islamic treatments of Solomon, Keiter traces the emergence and ascendance of an apologetic image of Solomon that has colored Jewish perceptions of the biblical king ever since.