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A controversial essay on one of the treasures of Armenian art, arguing that its illuminations were original and Armenian; with 38 plates.
Publisher: Gorgias Press LLC
Availability: In stock
SKU (ISBN): 978-1-61143-263-3
  • *
Publication Status: In Print

Series: Analecta Gorgiana 825
Publication Date: Sep 7,2012
Interior Color: Black
Trim Size: 6 x 9
Page Count: 38
Language: English
ISBN: 978-1-61143-263-3
$38.00
$22.80

The Etchmiadzin Gospel is one of the treasures of Armenian art. This paper describes it thoroughly in the course of arguing with the conventional view of its origin: that the illustrations had been copied by same scribe, John, who copied the manuscript, and that they are copies of sixth-century Syriac illuminations now lost. Der Nessessian argues that they are ninth-century compositions, newly drawn in Armenia, by an artist who need not have been the scribe. With 38 plates of the manuscript and comparanda, this reprint will appeal to scholars of art history and Armenian studies.

The Etchmiadzin Gospel is one of the treasures of Armenian art. This paper describes it thoroughly in the course of arguing with the conventional view of its origin: that the illustrations had been copied by same scribe, John, who copied the manuscript, and that they are copies of sixth-century Syriac illuminations now lost. Der Nessessian argues that they are ninth-century compositions, newly drawn in Armenia, by an artist who need not have been the scribe. With 38 plates of the manuscript and comparanda, this reprint will appeal to scholars of art history and Armenian studies.

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Contributor

Sirarpie Der Nessessian

  • The Date of the Intial Miniatures of the Etchmiadzin Gospel 1 (page 5)
  • Fig. 1-4 (page 9)
  • Fig. 5-8 (page 10)
  • Fig. 9-10 (page 17)
  • Fig. 11-14 (page 18)
  • Fig 15-16 (page 21)
  • Fig. 17-20 (page 22)
  • Fig. 21-26 (page 25)
  • Fig. 27-32 (page 26)
  • Fig. 33-34 (page 33)
  • Fig. 35-38 (page 34)
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